(selected highlights – in alphabetical order of author)
Banks, L. (2015) Look Up – A screening and analysis of my practice research into space, time and grief through film. In: Material Environments: Sensing Time and Matter in Digital and Visual Culture, University of Greenwich, London, UK, 24-25 July 2015. Available from: http://eprints.uwe.ac.uk/26495
Banks, L. (2015) Look Up – A screening and analysis of my practice research into the photographic approach to filmmaking. In:Photography in the 21st Century: Philosophy, art & technique, Central St Martins, London, UK, 5-6 June 2015. Available from:http://eprints.uwe.ac.uk/26494
Bright, N. (2012) Unnatural natural history. [Show/Exhibition] Available from: http://eprints.uwe.ac.uk/20834
Bright, N. (2011) Open 2. [Show/Exhibition] Available from:http://eprints.uwe.ac.uk/20835
Campbell, J. (2009) Warned off (the dogs): Institutional power & surveillance.Draft, Issue . Available from:http://eprints.uwe.ac.uk/13238
Campbell, J. and Allen, P. (2009) Boring, trivial and dubious: Photographing place and the construction of meaning. In: Framing Time and Place: Repeats and Returns in Photography, Plymouth University, UK, 16th April 2009. Available from:http://eprints.uwe.ac.uk/11588
Fraser, A. (2015) Toledo and the trinity of death in Mexico: Dia de los Muertos, La Catrina y La Santa Muerte. In: Understanding the Day of the Dead, British Museum, London, UK, 02 November 2015. Available from: http://eprints.uwe.ac.uk/27539
Fraser, A. and The Photographers’ Gallery, Trolley Books, Bar-Tur Foundation, Arts Council England (2015) Santa Muerte. [Creative work: artist’s book] Available from: http://eprints.uwe.ac.uk/27535
Fraser, A. (2015) Practice as research – an oxymoron? The teacher/practitioner identity. In: APHE (Association of Photography in Higher Education) Summer Conference 2015, Nottingham, UK, 1-3 July 2015. Available from: http://eprints.uwe.ac.uk/27536
Fraser, A. (2010) Shrine – an ongoing research project that explores the re-presentation of devotional iconography through the photographic medium. [Artefact] Available from:http://eprints.uwe.ac.uk/22082
Harman, A. (2015) Pictures from Home, La Galleria, London
Harman, A. (2014) Sony World Photography Awards, London, Liverpool, Cologne, Bratislava.
Harman, A. (2014) YMCA & I, Lightbox, Woking
Harman, A. (2014) Garden Stories, Tyntesfield, Wraxhall
Harman, A. (2014) Portrait Salon, Fuse Art Space, Bradford
Harman, A. (2013) 161 Annual Open, RWA, Bristol
Harman, A. (2013) Portrait Salon, Four Corners, London
Harman, A. (2013) YMCA & I, RIBA Gallery, London
Harman, A. (2009-11) Bleachbox Gallery, AAF Toronto, New York, Brussels, Amsterdam, London, Paris
Harman, A. (2010) Slow Play, F Gallery, Bristol
Harman, A. (2009) Secret Gardens, KWMC, Bristol1/5
Mahmoodian, A (2016) Shenasnameh (Birth Certificate). ICVL Studio and RRB Publishing
Sobers, S. (2017) Pedagogy of the Possessed: Photography, Integrity, and the tenacity of a discipline. In: 2020 Visions. Published by KWMC (also available online)
Sobers, S. (2016) An ethnographer and photographer walk into a bar – creative photography and research. In: Patter blog (available online)
Sobers, S. (2015) Self-portraiture and portraiture in the dialogic moment. In: Gender Recalled, King’s College, London, 30th June 2015. Available from: http://eprints.uwe.ac.uk/25890
Sobers, S. (2015) Photography and integrity – an overview. In:Exclave 2015 and Photography and Integrity Symposium, Oxo Tower Wharf, London, 25th – 28th June 2015. Available from:http://eprints.uwe.ac.uk/25892
Sobers, S. (2015) One bridge, two Williams: Photographic integrity in the age of ubiquity.Exclave, 4000. pp. 5-8. Available from:http://eprints.uwe.ac.uk/25891
Sobers, S. (2015) Walking interconnections: Case study of methods of a participatory action research project. In: Visual Social Science Network, Watershed, Bristol, UK, 4 March 2015. Available from:http://eprints.uwe.ac.uk/25232
Sobers, S. and Mitchell, R. (2015) Photojournalism and ethics: In search of a peace journalism. In: Bristol Cable Seminar Workshop, Bristol, UK, 17 March 2015. Available from:http://eprints.uwe.ac.uk/25230
Sobers, S. (2014) Familiar ways: Vulnerable auto-ethnography in creative practice. In: Family Matters, Bristol, UK, 5 December 2014. Bristol: Family Ties Network Available from:http://eprints.uwe.ac.uk/24479
Sobers, S., Porter, S., Parfitt, A. and Wheeler, A. (2014) Walking interconnections: Walking in someone else’s shoes. In: Thinking Futures, MShed, Bristol, UK, 1-11 November 2014. Bristol, MShed: Bristol University Available from: http://eprints.uwe.ac.uk/24480
Sobers, S. (2014) Photography that revisits: Participatory influences in post-colonial, auto-ethnographic visual anthropology practices. In:Photography and Anthropology Conference – Royal Anthropology Institute, British Museum, London, 29 – 31 May 2014. British Museum: British Museum. Available from:http://eprints.uwe.ac.uk/23152
Sobers, S. (2013) Enthusiastic facilitator, reluctant anthropologist. In:Conference for the International Visual Sociology Association, Goldsmiths, London, UK, 8-10 July 2013. Available from:http://eprints.uwe.ac.uk/21385
Sobers, S. (2012) Identity in community media (negotiating marginal positions within photographic practices). In: Rendering the Real: Negotiating Marginal Positions within Photographic Practices, 198 Contemporary Gallery, London, 21st April 2012. Available from:http://eprints.uwe.ac.uk/21401
UWE Bristol Photography Research Group 